Tag archives for case study

2011 Fortune Global 100 Social Media Study

HOT OFF THE PRESS! Burson Marstellar released this report just a few hours ago, presenting unique insight into ways that the Fortune Global 100 companies have been using social media.

Burson-Marsteller 2011 Global Social Media Check-up

Most Interesting Findings:

  1. 25% increase in the number of companies using all four social media platforms studied (Facebook, Twitter, YouTube, Blogs)
  2. Twitter is the emerging as the predominant social media platform used by corporations.
  3. Increase in the number of social media accounts per corporation (e.g. regional offices creating and using accounts)
  4. Asian markets seem to be embracing social media at a much higher rate than US and other markets.
  5. 76% more companies are using “@” mentions and direct mentions on Twitter, suggesting a willingness to engage with their existing or potential customers. Also a steady rise in the use of RTs.
  6. Companies are following more users, customers, etc than before.
  7. 40% of corporate Twitter accounts incorporate forms of customer service.
  8. Dramatic increase of Facebook pages per company (watch those Asian markets)
  9. YouTube experienced a surge of content from Asian companies
  10. Blogs seem to be left out – Fortune Global 100 companies have not embraced this form of social media comparatively to Facebook, Twitter and YouTube

What are your thoughts? I’d be keen to see some discussion on the Asian markets if anyone has any insight…

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Revealing Kryztoff

I worked as Associate Editor for online Adelaide-based magazine Kryztoff in early 2010. I’ve just written up a case study of sorts, seems more like reflection now… it’s my first one, so I welcome your feedback! ;)

About Kryztoff

Kryztoff is an online Adelaide-based magazine, established in November 2009. It is aimed at young Adelaideans, aged between 18-35. Each edition covers four main areas, Music, Fashion, ADL5000 (arts/culture) and Film, and features a dozen aspiring writers and photographers.

During the 2010 Adelaide Fringe Festival, Kryztoff previewed about 100 shows, reviewed about 70 and photographed a number of events throughout the Festival.

Direction

The main aims in the early days of this web start-up were to increase awareness (and ultimately, readers) for Kryztoff, and drive more web traffic to the online publication.

The Way Forward

I employed a number of tactics to achieve these aims including:

  • establishing Facebook, Twitter, Myspace, YouTube and WordPress pages
  • running a short Facebook ad campaign (Jan-Feb 2010)
  • running competitions/giveaways, and promoting these through Facebook/Twitter
  • posting ‘sound bites’ from articles and their direct links on Facebook/Twitter
  • posting videos interviews of artists visiting Adelaide during the Adelaide Fringe Festival on YouTube
  • discovering/engaging with artists/bands on Myspace
  • creating a WordPress blog where teasers/articles/photos can be posted immediately
  • ensuring all messages across these platforms were consistent

[youtube=http://www.youtube.com/watch?v=KKFOU8akDuk&fs=1&hl=en_US]

Kicking Back With Tripod and Elana Stone during the 2010 Adelaide Fringe

Results

A review of the insights/statistics from the Facebook page, YouTube channel, WordPress blog and Google Analytics of the Kryztoff domain over the period January – May 2010 shows that as a result of the strategy:

  • Kryztoff grew its Facebook fan base from 1273 to 2606 (80 fans per week on average)
  • Over 5400 videos were viewed on the Kryztoff YouTube channel
  • Kryztoff demographic revealed a slight female skew (60:40), aged 18-40 and most living in Adelaide
  • Over 100 posts on the WordPress blog generated over 2 000 unique hits
  • The domain experienced a significant increase in traffic to the site (over 30%)
    • Majority of these clicks were traced back to the Kryztoff Facebook page

And Then…

These results indicate that I engaged the target demographic successfully, through this multi-platform approach. Unfortunately, Kryztoff had to scale back its operation in May 2010. Had Kryztoff continued engaging its existing and potential readers in this consistent manner, I strongly believe Kryztoff would have experienced strong growth during the winter months of 2010.

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